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The Artist
Operating System

Global Distribution

How a release gets out

SummitArts on Symphonic Distribution delivers to stores and streaming platforms.

The five stages

  1. Prepare Add audio, artwork, metadata, contributors, ownership details, territories and release timing.
  2. Validate Check required fields, audio specifications, artwork dimensions, metadata consistency, rights confirmation and delivery readiness.
  3. Deliver Submit the approved package to the distribution partner for delivery to supported platforms.
  4. Monitor Track delivery status, platform availability, processing issues and available reporting.
  5. Maintain Manage corrections, updated metadata, new versions, territory changes, takedowns and catalog history.

What a release needs

Audio
A final master per track, in the highest quality you have. Keep a clean version and an instrumental where the release needs one - they are separate deliverables, not edits made later.
Artwork
Square cover art at the largest size you have, with no store logos, no URLs and no text the platforms reject. Check it at thumbnail size before approving it.
Metadata
Artist and release names spelled the way they will appear everywhere else, track titles, version names in brackets, and featured artists in the artist field rather than the title.
Credits
Producers, writers, performers and their roles. The Metadata Passport in the app holds these against the track so the next release starts from them.
Ownership
Splits that add up, confirmed by the people they name. This is the single most common reason money sits uncollected later.
ISRC and UPC
Bring your own or have them assigned at delivery. Once a recording has an ISRC it keeps it - a new one on a re-release splits the history in two.
Release date
Pick it early and work backwards. Playlist consideration and store processing both need lead time, and the Release Scheduler warns when there is not enough.
Territories
Worldwide unless there is a reason not to be. A territory restriction is easy to set and easy to forget.
Delivery timelines
Delivery is a queue, not a switch. Allow time between approval and the date you want it live; the partner's processing window sits inside that.
Changes after delivery
Metadata corrections and artwork changes are possible after release and take time to propagate. Audio replacements are not routine - get the master right first.
Reporting
Statements arrive from the partner on their own schedule. Street Banker organises what you upload or receive; it does not read a platform directly.
Takedowns and updates
A takedown removes availability, not history. Plan it as a release step of its own rather than an afterthought.

The package, item by item

An example release checklist. Nothing here is ticked, because nothing has been entered.

Audio

  • Final audio master
  • Clean version, when needed
  • Instrumental, when needed

Artwork

  • Cover artwork

Names and titles

  • Artist and release names
  • Track titles
  • Featured artists

Credits

  • Producer and contributor credits
  • Songwriter information
  • Publishing information

Rights

  • Ownership splits
  • Copyright information
  • Rights confirmation

Identifiers

  • ISRC information
  • UPC information

Release settings

  • Explicit-content status
  • Release date
  • Territories

Extras

  • Lyrics
  • Platform links or artist profiles
  • Final review

What is connected, and what is not

Street Banker does not hold a direct connection to a streaming platform. Delivery is the partner's, and reporting arrives on the partner's schedule. Readiness in the app is completion of required fields — it is not a prediction, and it is not a delivery confirmation.